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The Soundtrack of a Valve: An Appreciation of Gordon Dair

A few weeks ago, when the news was bad, I sent Gordon an email. I wanted to say something; anything. Gordon didn’t want cards and had limited use for sympathy, so I emailed an apology. I had a nagging memory about a historical injustice dating from 1988. It was about punk rock. It was about Gordon. Where were we? We were in a basement in Stockbridge, finding our voices. We were in the office of CUT magazine, doing our best, and although not many people noticed, sometimes our best was good. But it was 1988. Music was changing. Punk had died. Dance music was threatening a new kind of fun. Compact discs were on the way. Even The Clash had one. It was called The Story Of The Clash Vol 1 , and Gordon had reviewed it. Here, there is a conflict between memory and archive. In memory, Gordon reviewed this album with an outburst of autobiography. He overwrote, obliterating his word-count. While his writing was urgent and heartfelt, it barely addressed the music. It discussed Gordon’s life...

Punk's Dead # 357


Matthew D'Ancona, editor of the Spectator, has announced that his favourite record is Pretty Vacant, by the Sex Pistols.
He told the journalism weekly Press Gazette: "There is no pop record ever recorded that has such menace and attack. If you assume the purpose of pop is to conjure up that sense of teenage rebellion, I don't see how you can beat that record really. Everything after it is second rate. It is a full-blooded sonic attack that nearly 30 years later still has the power to put the hairs on the back of your neck up."
Lester Bangs, eat your heart out.

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