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This Case Is Closed: The Enduring Enigma of Tom Verlaine

One of the great punk records is Marquee Moon by Television. Of course, that's a contradiction. There's nothing punk about Television really, except that they appear at the right time, in the right place, and Richard Hell is briefly in the band, and he has some claim to be the inventor of the punk look, with the spiky hair and the safety pins. But there is only one TV in Television, and Hell is gone long before Marquee Moon appears. Marquee Moon doesn’t need a category. It’s a record of jagged imagery in which the voice is a nagging shadow and the guitars - of Verlaine and Richard Lloyd - do the talking. Patti Smith compares Verlaine’s guitar to a thousand bluebirds. What they are talking about, I still can’t fathom. Marquee Moon is a timeless mystery. I talk to Tom Verlaine on the phone. This is probably better than talking to him in person. On a transatlantic phone line there is an excuse for the delays and the hesitations and the awkward silences. We are talking a full

Alternatives To Valium, the book. What it's like and where to find it. Plus, get a bonus fanzine and badge.

My book, Alternatives To Valium: How Punk Rock Saved A Shy Boy's Life is out now, published by Polygon. Click on the links to buy directly from the publisher, or order it online or from your local bookshop. The Scotsman review said: "The early years are a blast, from McKay's views on his first teacher ('Does she even like children? If she does, it's a secret') to his memories of his first fanzine, Blow Your Nose on This ('a montage of crap') to his first on-stage outing as lead singer of school band The Instant Whips ('I couldn't sing, so I wore a hat.') The transgressive allure of punk, as experienced on the sedate streets of North Berwick, is perhaps best summed up by the way in which the owner of the local record shop displayed the latest LPs in the shop window up-side down, their covers hidden from those who might take offence, but still available to those in the know.  The interviews, meanwhile – or rather, the memories of the interviews – are wonderful, peek-behind-the-curtain deconstructions of the creaky edifice of celebrity.' Books From Scotland said: "Although the book has a very formal structure, split into two halves – finding one’s voice (punk) and listening (journalism) it is this which gives it a surprising unity. It’s great fun, and yet has a last chapter that is as powerfully elegiac and understated as anything I have read for ages." The Herald said: "the more relaxed, cordial interviews, like Iggy Pop, Kate Moss or Billy MacKenzie, capture the strange dynamic between journalist and interviewee: a temporary negotiated space with undefined edges." UNCUT said: "McKay's big ticket stars rarely disappoint ... but his tales of trying to be punk rock 'in a Status Quo town' may be more resonant still."  

I talked about about Alternatives To Valium in the Press and Journal here, and wrote about in the London Evening Standard here and the Sunday Post here. There was a lovely piece in the Sunday Mail, but their website has defeated me. The Prole Art Threat blog reviewed it from a North Berwick perspective here. The book was launched at Argonaut Books in Leith with a special performance by Edinburgh punk legends The Valves (including their own tribute to Chris Bailey of The Saints. If you're lucky, Argonaut may still have a few copies with a limited edition micro-fanzine and a free badge. (There are signed copies of the book at Waterstone's on Edinburgh's Princes Street and at the Aye Write bookshop in the Mitchell Library, Glasgow). Another fanzine (and another badge) were produced for my appearance at Glasgow's Aye Write festival. The first fanzine is about Sydney Devine, and the second is about Alex Harvey. These are available directly from me for a Paypal payment of £1 each to cover P&P. Contact me via Twitter (@AHMcKay). If any bookshops or record shops want to sell the special edition of the book, I am happy to supply some fanzines and badges (costs permitting). 


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